Writing Movies for Fun and Profit: How We Made a Billion Dollars at the Box Office and You Can, Too!, Garant & Lennon. Non-Fiction. This is a ruthlessly practical guide to selling screenplays to Hollywood studios. It also provides appalling and entertaining insight into what is required of a writer in order to make a living doing that. If you are at all interested in the business of writing Hollywood studio movies, I encourage you to read this book. Even if you’re not, it’s probably worth a look.
Monthly Archives: September 2011
Writing Movies for
On “digital”
I’ve been stewing for some time about the mis-use of the term “digital” to mean something other than “represented as a series of ones and zeros.” Or even “able to express only discrete values.” In this usage, CDs are not “digital,” despite the indisputable fact that they bear digital data. DVDs may include, as a bonus, a “Digital Copy,” indicating that the DVD is somehow not “digital,” despite the fact that the first D in DVD stands for digital! So aside from clearly being an improper use of the word, what does “digital” mean? It can’t mean “not delivered on a physical medium,” as a “digital copy” can be delivered to you on a disk, and my complete Beatles digital collection was delivered to me on a lovely, custom-cased USB drive. It can’t reasonably mean “downloadable to your portable device,” because I can take the exact bits off of a CD and throw them on to my iPod (admittedly, this would be silly, since various lossless formats take up much less space). It can’t reasonably mean “lower quality” (though it usually does), since some artists (thank you, TMBG and Jonathan Coulton) are good enough to sell FLAC versions of their works (the complete Beatles USB drive includes 24-bit FLAC versions, which are even higher-fidelity than their CD equivalents, bless them), though—to further invalidate the “device-downloadable” hypothesis—the most popular portable device will not play FLAC versions.
Of course, my thesis here is that none of this usage is reasonable, but is it even consistent? Can a definition be articulated? What do people think it means?
Invisible Things Review
Invisible Things, Davidson. Yes. Follows The Explosionist. Picks up near where its predecessor left off, and is another just fine YA novel. This one is more openly setting up for a follow-up book, which, if history is any guide, should be showing up in a year or so.